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Date:	Thu, 3 Jun 2004 14:11:27 PDT7
From:	"Mark D. Overholser" <os2@markoverholser.com >
Reply-To:	scoug-help@scoug.com
To:	scoug-help@scoug.com
Subject:	SCOUG-Help: Re: Audio recording / editing programs?

Content Type: text/plain

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J. R. Fox wrote:

> =====================================================
> If you are responding to someone asking for help who
> may not be a member of this list, be sure to use the
> REPLY TO ALL feature of your email program.
> =====================================================
>
> "Mark D. Overholser" wrote:
>
>
>>I have Never Done Studio Work, but the restrictions of "no overdubs,
>>pickups or edits"
>
>
> Never mind all that. What about all the union rates for players ? If you ever
> wonder why so many film scores of the last 20 years (the minority that are still
> orchestral, I mean) show up in the credits as being performed by the Budapest
> Philharmonic, etc. -- THAT'S the reason.
Too Bad there could not be a "flat rate", plus a percentage of the Box
Office Take..

>
>
>>makes it just like a Live Performance, everything
>>needs to go correct the "first time".
>
>
> This is not all that revolutionary. I believe that most of the "audiophile"
> recordings that were supervised by Doug Sax were made this way.
Live competitions come to mind, and I have always found that getting to
know the group you are working with, will go a "long way" to wards
"getting in the swing" with the music..

>
>
> Jordan
>

MarkO

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